Here are a few things to keep in mind while handling and flattening your print(s)...
- Always use two hands to support the print so it will not bend or crease.
- Promptly remove all tape from the packaging before unrolling your print, even the smallest piece can cause damage if it accidentally sticks to it.
- Do not use your hands to wipe off any dust, this can scratch and scuff the surface, especially any solid black areas. Please refrain from touching any dark areas at all, as any damage will be permanent. If you need to dust off the image use a clean soft brush, or can of air to remove any particles.
- Please handle the print with clean dry hands, only by its edges. The oils from your hands can reduce archival qualities, and any fingerprints and scuffs on dark areas will show up as a sheen.
- When attempting to flatten an Archival Pigment Print or Silkscreen, do not place weights directly on top of the print without a protective barrier. Place the print on a clean, dry, flat surface, and apply weights or books to the corners of the print on top of the protective Glassine sheet your print came with. If you don't have the glassine, or have any concerns, please use a sheet of plain paper under your weights when flattening a print.
- When framing, use only archival / acid-free supplies and display out of direct sunlight. Please use a mat when framing to provide a separation between the print and the glass. It is not recommended to have a print come into direct contact with the glass. UV plexiglass or UV glass is recommended.
- We now roll and ship all our prints in acid free paper, which is safe for long term storage. The thin tissue paper on the outside of the rolled art print however is not archival, and we suggest removing this outer layer when you receive your package. We recommend storing your prints flat - in portfolios, archival storage boxes, flat files, polyethylene / polypropylene poster sleeves, or with an archival acid free backing board inside a poster sleeve. The transparent Glassine paper we use to protect the surface of the print is ideal for long term storage, so be sure to keep it covering the printed side of the art.
*If you bought a print prior to 2021 and it came rolled in brown craft paper, please be advised that is not acid free and we do recommend replacing it with an acid free paper for long term storage.
- Do not roll prints any smaller than the tube they came shipped in. Doing so could cause rippling in the paper.
ART PRINT TERMINOLOGY
Archival Pigment Print or Archival Fine Art Print, is a type of inkjet print used in fine art reproductions, also sometimes referred to as a Giclée. Artwork reproduced as a fine art print typically mirrors the look of a physical piece of art. The purchase of an Archival Pigment Print does come at a higher price than a traditional offset lithograph print, however, no other reproduction process can match the quality of an Archival Pigment Print, nor come as close to reproducing the artist’s original work of art. We print on a variety of archival acid-free 100% cotton papers using Epson UltraChrome HDX inks. These inks can provide print permanence ratings of up to 200 years for color prints, and likely in excess of 400 years for black and white prints, producing collectible works of art capable of lasting many generations. It’s the ultimate way to preserve the legacy of an artist.
Serigraph, also called a Silkscreen or Screenprint, is a printing technique where a mesh is used to transfer ink onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen in order to print each color. Several screens can be used to produce a multi-colored image or design. The inks used are mainly water based acrylic paint, on a variety of archival and acid free 100% cotton rag papers, or specialty colored and holographic papers. Silkscreen is best suited for images with flat colors and bold lines.
Lithograph is one of the most common ways of creating printed materials. A few of its common applications include: newspapers, magazines, brochures, stationery, and books. Compared to other printing methods, offset printing is best suited for economically producing large volumes of prints. We use this printing method for most of our large open edition print runs on acid free paper with a Satin coating.
Glassine is a smooth, glossy paper that is transparent milky white and partially allows what’s inside or behind the paper to show through. As a result of the manufacturing process, glassine is pH neutral and acid free, and it’s resistant to moisture, air, and grease. Because it is made from wood pulp, glassine is fully recyclable and biodegradable – making it a sustainable material choice for long term storage.